Sonnet 71
No longer mourn for me when I am dead,
Than you shall hear the surly sullen bell
Give warning to the world that I am fled
From this vile world with vilest worms to dwell:
Nay if you read this line, remember not,
The hand that writ it, for I love you so,
That I in your sweet thoughts would be forgot,
If thinking on me then should make you woe.
O if (I say) you look upon this verse,
When I (perhaps) compounded am with clay,
Do not so much as my poor name rehearse;
But let your love even with my life decay.
Lest the wise world should look into your moan,
And mock you with me after I am gone.
Sonnet 66
Tired with all these for restful death I cry,
As to behold desert a beggar born,
And needy nothing trimmed in jollity,
And purest faith unhappily forsworn,
And gilded honour shamefully misplaced,
And maiden virtue rudely strumpeted,
And right perfection wrongfully disgraced,
And strength by limping sway disabled
And art made tongue-tied by authority,
And folly (doctor-like) controlling skill,
And simple truth miscalled simplicity,
And captive good attending captain ill.
Tired with all these, from these would I be gone,
Save that to die, I leave my love alone.
supported by 9 fans who also own “Deathbed Revelations”
Early Shadow Of Intent already was able to rip wholes into the space-time-continuum. It would have been difficult to imagine how much they would progress from here on because you wouldn't think it's possible. mourner
supported by 8 fans who also own “Deathbed Revelations”
Two impressive vocalists, variable and skilled guitarists and a tight and very powerful rhythm section. That plus the ability to write a song really leaves nothing left to desire here. mourner
supported by 8 fans who also own “Deathbed Revelations”
Symphonic stuff in metal doesn’t make its way into my collection aside from a couple of early Cradle albums. The orch here though just ads to how huge this band sounds. It makes elements in the songs more immersive. There are plenty of breaks from orchestration where its in deathcore/slamming brutality mode. While not ignorant, the songs never play with time or get mathy making it accessible and memorable. Came out 2015? Impressed. Mitch Mitcherson